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Where to send zines for review:
Everything here is copyright © 2003 by its respective author, and there are five reviewers: What’s a zine? To quote Jason Adams (of 1000 Interlocking Pieces, R.I.P.): “Sort of a cross between a magazine and a long letter, mailed to whomever, whenever. The average zine publisher is a loveable nerd with no life. Like Urkel.” Rule number one is always send well-concealed cash. Most every zine you’ll find does not have a checking account (or much business sense, for that matter). Sending a money order from the post office with “Pay to the order of” left blank or stamps is O.K. sometimes, as an alternative. Ask first. Also, international peoples, toss in an extra buck or two. Sometimes it’s a problem if you address a letter to the zine, rather than the publisher, depending upon the whimsy of your random postal worker. All zines reviewed herein were published in the United States of America, unless otherwise noted. For some, in lieu of ca$h money, I traded one or more issues of my own zine. Maybe you could, too. When ordering, please mention to the publishers that you read about them here. All the more free zines for me. Pour out a little liquor.
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I went through most of the zines in the kitty this time, so don’t expect an update real soon. I have a novel to finish. Zine Thug #1 |
AfterFX (#11): Not sure what this is supposed to be, other than a
sheet of aquatulle #5. Best thing I've seen that's "Dedicated to Joey Ramone & all victims of 9/11". One part rock n' roll, more parts nostalgia. I don't know for certain whether Sept. 11 is actually mentioned anywhere except Raquel's BOB ##1 & 2. Cursory glances at the middle aged politics of a white collar man who brings attention often to his affluence and middle agedness. Bob the man includes, in BOB the zine issue one, a poronographic beaver shot with Britney Spears's head pasted on and a can of Pepsi covering the crotch. Then in issue two, he tells how the mom n' pop copy place he'd chosen to patronize (for that very reason) refused the job. Bob the man isn't sure what to make of it. The writing here is pragmatic in its delivery and therefore not exactly dizzying with flair, but at the same time not without charm. Bob says he does a lot of studying to make his conservative (in page count, anyway) zine, but what's gained from the research? There is no reason to print how many milligrams of caffeine there are in various coffees, teas, and sodas. (FYI, the word is espresso.) Interview with some twenty year old boner who's running for mayor of Haddon Heights, New Jersey. An old (don't forget!) guy's slant on body modification trends. I'd say BOB the zine is so-so with flying colors. Reviewed by Marc. [$1.50 / half-legal / 16 pp. / copied] Bob Sheairs, 30 Locust Ave, Westmont, NJ 08108. sheairs@yahoo.com www.njghost.com brainscan #19. Alex is part of the Convince Every Zinester to Move to Portland campaign, which snagged me earlier this year. Reading this, though, I still don't think we live in the same town. Last year's Zine Symposium is the focus of this issue, and by "focus" I mean that's all there is (save the Rock n' Roll Summer Camp for Girls). She and her hubby break their necks to help organize the event, pen pals stream in from all over. A half issue that Alex handed out at the symposium is reprinted here, and much of it, like much of the rest, is introductory. Issue number nineteen, and she doesn't think we know who she is. On one hand, I didn't. On the other, it's still a lot of throat clearing. One of Alex's fans/friends tells her (in person) that she doesn't mind hearing the same story twice. ("Pretend I haven't read your zine because it is different when you say it.") A lot of attention is put on how people portray themselves in their writing, and the effort to connect in person after many letters. So it works, I guess. (What better sign of best buddydom is there than requesting greatest hits.) Inventive typewritten, cut n' paste layouts that occasionally distract from the blander copy. Reviewed by Marc. [$2 / mini / 64 pp. / printed, handmade cover] Alex Wrekk, PO Box 14332, Portland OR 97293. brainscanzine@ureach.com CAIN #5: A personal type zine by a Chinese-American chicky-poo who travels a lot. This issue takes you on a "Tour of Beijing" which includes some description of the punk scene. The article that stands out the most, however, is the one where Michelle described her uncle's descent into madness in "A Family Dysfunction." The author seems to ramble on trying to make sense of a disturbing situation: "Everyone in my uncle's life resents his coldness, his lack of confidence, and his selfish reticence, even though we still care enough to help him get treatment." ¶ This thing is a hearty independent publication with a lot of content involving interesting subject matter, however, if I had to make some criticism I'd say the author writes in too conservative a style. Sometimes the text gets dry as if it were something to be turned into a professor (maybe it is — I actually got "independent study" credits in college for doing my zine, but I still wrote it in my own personal style.) The advantage of doing a zine is that you are not writing for a stuffy editor and the advantage of doing a personal zine is that you can present it in your own style and share bits of yourself you wouldn't actually want to announce on a megaphone. For example, an evening of Bingo at the New Haven Gay and Lesbian Community Center in "Lucky Night" describes how the participants had an amusing time, but the author never reveals anything personal in a straightforward manner. She wouldn't say, "Yeah, I'm a lesbian, that's why I play Bingo with these people." ¶ The zine is also laid out in a uniform style, which is nice, but I found it sort of amusing that she quotes her own text in big print like it's a newspaper. Still a good zine, however, so check into it. Reviewed by thrill racer. [?/5.5x8.5/48 pp.] Michelle, P.O. Box 200077, New Haven, CT 06520. Cainzine[at]yahoo.com, http://cainzine.tripod.com Chickenhed Zine and Roll #5. Josh has visualized the zinester's zine. It's your standard zine format, filled with well written pieces that are hand written on pages filled with doodles and clip art, creating all sorts of cool design possibilities. There is a good understanding of what you can do with black and white format, so the photocopying is lovely without overextending the medium. This is the party story theme issue, which mostly means it's the "I was drunk and..." theme issue. While many zines would use this as an excuse to tell variations of puke and hangover tales that are only interested if your life is similar and you want to compare notes, Josher provides many interesting anecdotes told in many interesting styles. Indeed, this zine is all things to all people. Well, maybe not, but damn worth a coupla bucks. Reviewed by Rich Mackin. $2, 32pp Photocopied, Digest. POBox 330, Richmond, VA 23218. Civilization Will Eat Itself I dunno why I'm so determined to publicly scorn this tyke's manifesto. In March I bought it off a distro table, and only got through about ten pages of the inconsiderately small (however legible) writing. (The gal who hand printed it all out for the author is thanked, apparently by herself.) And it's noted with satisfaction that this is a second generation copy I have, "or greater". Maybe you can't even order it anymore. (It's dated 2001.) Nonetheless Clutch (#10): This is the Super-Sized version (about 130 pages) of Mr.
Clutch's 4 panels per day diary comic coldhandsdeadheart #16. Didn't get a lot from this, a dreamy existential block of text without punctuation, that's either illustrated or simply interspersed with Mike's artwork. I can't tell. The words grab on occasion (e.g., the image of a neighbor's dog choking on its chain while trying to break loose, repeatedly, and of being kept awake through the night by the yelping), but often they're just a long list of rock groups and movies the author likes (or likes to remember). Skateboards and aprupt violence, sudden transition followed by another list. Should I be impressed with the obscurity, that I can't tell at times where one band's name ends and another begins? The drawings are like those a jr. high school stoner might produce on his notebook in boredom. This is done with intention, perhaps — it's a story framed on teen age — but dubious aesthetically. Reviewed by Marc. [$2 / mini / 42 pp. / copied] Mike Twohig, 83-1/2 Howell St. #2, Rochester, NY 14607. m_twohig@hotmail.com angelfire.com/ill/miketwohig Comixville #6, Summer 2003. Third consecutive issue I've seen of this "Quick, Little Guide to Self-Published Comics", all three having the same format: an Crash ##1, 2, & 3. A mild amount of workplace embezzlement was apparently involved in getting these review copies to me. An Express Mail package bearing no less than $13.65 in postage, which I had to sign for, came with the return address of a social security office or something. All for three little digest sized, semi-politcal zines. I wholeheartedly applaud your ethic, Shay. As for Crash Electrochemical Kaboom #2. With this, Andrew Penland (AKA Andrew Octopus) continues to blur the line between zine and mailart and peculiar thing with yellow stains on it that you're not sure you want to touch. Deliberately and hopelessly cryptic drawings and extreme conformity #7, Gay Insurance. It's a play, but with stick figure heads instead of character names to denote who's speaking, if you know what I mean. Clever format that reads quickly — but not quick enough; I gave up somewhere in Act II. The plot goes like this: Mom from middle America gets a job at an insurance company. Her boss is called "The Devil's Avacado" (how droll, sir!). Meanwhile, a fading superstar, "Celebrity X", is convinced by his people to say he's queer now, rejuvenating album sales. And there's a character based on Dr. Laura Schlessinger, and there are aliens. The Free Press Death Ship (#3): Probably the best active zine out there
Friction Magazine #1: An alternative to mainstream magazines. It's filled with tons of good quality pieces along the lines of writing, art, journalism, and politics. My favorites are the short fiction. I especially liked "Me and Phineas Gage" by Brett Coker, a sharp commentary on those who self inflict trendy body mutilations in order to set themselves apart from the crowd. I liked it because I always felt like a unique individual who has no need to look different or draw attention to her body. Yeah, I'm special that way. The most boring articles, however, were the political ones. Not because the subject matter wasn't interesting or I didn't agree with the points made, they just went on and on trying to sound academic or journalistic or something. ¶ Interspersed throughout the magazine are short interviews with underground rock stars. Most you've probably never heard of. You'd be amused at the "other things" some of these people do besides rocking out. One guy, Norman Nawrocki, straps on huge inflatable dildos and makes public speeches to educate people about sexual crimes. Another guy, Phil Taylor, dresses up in a bear costume and rides around on a unicycle. Aside from the weird stuff I also liked the comments from intelligent rockers, like Elizabeth Elmore, who realizes that rocking out "tends to be a pretty selfish pursuit" and she's going to law school to do more with her life and brains. ¶ The one flaw with this magazine is that it's expensive and as it seems to understand the plight of the oppressed working class citizen, I doubt it expects those that are aware of their oppression to shell out the money for a magazine. Although, most workers are ignorant and tend to waste money on trendy stuff like coffee so if they thought this magazine was trendy they'd probably buy it and I hope the publishers sell lots of copies so they keep it going because it's good. Reviewed by thrill racer. [$7/6.75x9/151 pp] Melissa Hostetler, 277 Luedella Court, Akron, OH 44310. info[at]frictionmagazine.com, www.mokeybubblemedia.com Fun Facts Lists of odd bits of personal information from about two
dozen ziners Hey ho never be still #1: This is a big piece of paper folded up with artwork on it. Good drawings — they are of an earthly nature, but there's not a whole lot to discuss about them. I like it, though. Reviewed by thrill racer. ["next to nothing"/4.25x5.5/16 pp.] Androo Robinson, Ped Xing Comics, 2000 NE 42 Avenue #303, Portland, OR 97213. Independent Publishing Resource Center Newsletter v5#1, Spring 2003. Being a spaz, I somewhat haunted the IPRC the first few weeks I was here. I'd go in and read zines from the library when I was supposed to be job hunting, check my The Inner Swine Volume 9, Issue 2, June 2003. This is one of those zines that old zinesters like me see a new copy of and the first words out of our mouths are "Wow, this is still around?" and then we open it and start reading and say "Wow, this is still this good?" Actually, this seemed even cooler than I recall old issues being, but I am not sure if it's a better zine or just that I appreciate things more in my old age. Basically, The Inner Swine is what happens when you take your typical zine format — a bunch of copies folded over, containing smart assed writings with a rebellious slant, but have it be done by someone who knows how to write, design and format well enough that you can spend all your brain energy on intaking the information contained instead of guessing what the letters that got cut off were or what the overdesigned layout is supposed to mean. Jeff Somers and company provide a fine toilet read or two here. Reviewed by Rich Mackin. $2, 60pp, Photocopied, digest. POBox 3024, Hoboken, NJ 07030 theinnerswine.com Kiss Machine #6: Girls and Guns. The pretty sticker on the cover said that there were trading cards inside. Marc must have taken them for himself before giving me the zine to review, but oh well, I found the articles just as intriguing as some colorful trading cards. Local Comics (#35): Takes about two minutes to read this 16 page mini
comic book The LPD Bonus Track #4, October 2003. Once, years ago, when I was still new to this self publishing business (now look at me!), my Russian author zine got reviewed in Zine World. As Heath Row observed of me and my pseudonymous co authors: "These guys sure get excited by random stuff." At the time, I felt affronted. How could the guy fault me for having what I thought to be the defining characteristic of zines? This was before I'd encountered Yul Tolbert. Enormously breasted women with long toenails who speak Esperanto and play tennis with their titties out, this is what excites Yul, so this is what Yul draws — exclusively. Microscopic humanoids from the future and/or outer space colonize one woman's hideous nails. They give her a peticure, treat her as a god, yet still she squishes them dead. Begs for psychoanalysis. Reviewed by Marc. [75¢ / digest / 16 pp. / copied] Yul Tolbert, PO Box 02222, Detroit, MI 48202-9998. yul_tolbert@yahoo.com timeliketoons.tripod.com/lpd Monk Mink Pink Punk #8: This issue presents the results of editor Josh Ronsen's "first three major" Mail Art projects. The funniest project presented is a collection of 122 different handwriting samples of his name that he extracted from envelopes people sent him over the years. Let me see if I recognize any names of the handwriters…yep, there's T.R. Miller of Luhey comic fame. For the first project Ronsen asked writers to send him pieces on music in dreams or imaginary music and those writings turned out rather disjointed as you'd expect, although, I'm sure some people enjoy reading that kind of creative writing. The final project is based on a set of challenging vocabulary words Ronsen sent out to people to use in writing. I'm the type of person who likes to read plain and simple text and I can't even remember if I attempted reading these pieces, but I'll tell you a little about this part anyway. I don't see the words listed anywhere, but apparently one of them is "salubrious." Okay, time to get the dictionary out. It's an adjective meaning "healthful, health giving." Cool, I'll try using it in a sentence soon so I can annoy someone by sounding pretentious. Anyway, this zine is an okay read. If you're into creative writing and mail projects then go for it. Reviewed by thrill racer. [$?/4.25x11/ 45 pp.] Josh Ronsen, 2001 Brentwood, Austin, TX 78757. http://home.flash.net/~jronsen Morbid Curiosity #7. I am at a loss for words. As a rule, you should expect one hundred page, contributor filled magazines like this to be inconsistent in technique, without much personality, and not at all worth the cover price. Morbid Curiosity is none of these. (O.K., expect a little sticker shock.) Entirely first person and nonfiction, there's a D.I.Y. surgery to remove a sebaceous cyst from Karen Switzer's scalp, a quilt that M. Parfitt assembles from her used maxi pads, a couple different Queer Ramblings #32. Queer Ramblings is "for queer women and their many admirers" but mostly for queer women. I am not so much either. I'm impressed by the idea of a monthly DIY zine that is actually monthly (heck, most quarterlies I know become biannual and then random in a year) and on issue 32 (or 31, by the intro, or 30, by the bottoms of the pages), I am less impressed with the look of this...much of the many images look downloaded: grainy and pixilated — clearly a computer is used to design this, but not a state of the art one. If this was a text based zine, that wouldn't be as big a deal, but page after page contains photos — many of which are by and of "Jeanine and Angel". A lot of the other imagery strikes me — I know if a straight guy had a collection of pics of Angelina Jolie in his zine, it would come across as somewhat odd. My favorite parts are the numerous "Out There" comics and the poem, "Too Strong to be This Weak" by Lovelybrown, which is impressive because I generally hate reading poetry. Reviewed by Rich Mackin. $1.00, 49pp Photocopied, 81/2x11". Sandra Garcia, 12800 Florence Blvd, Blythe, CA 92225. Reddog Review #5: A zine of writing by a person called Ashabot. Not a review zine, don't get confused. The issue opens up with an article about the "Red Dog Saloon" in Virginia City, Nevada, which is now closed. Supposedly 60s psychedelic music started here and influenced San Francisco. ¶ The feature article is part two of an adventure in travel called "Dirt Roads to Nowhere." Ashabot and buddy follow "the west rim of the Owyhee River Canyon, looking for a way to the other side." They end up camping in the middle of nowhere. An amusing part is when they get to feeling so isolated from life they desperately start looking for ants. Later, Ashabot discusses the destruction of public land by cattle raised for livestock production. I just hope Ashabot is a vegan like me and refuses to contribute to this rape of the land. The article ends just when they find a homestead cabin so we have to read the next installment to find out if they stayed in it. ¶ The rest of the zine contains lots of short writing, especially poetry which is descriptive and flows nicely. Reviewed by thrill racer. [$2/5.5x8.5/28 pp.] Send cash or make out a check or money order to Asha Anderson: Ashabot, P.O. Box 1436, Gardnerville, NV 89410. Zines[at]ashabot.com. www.ashabot.com Rotting From The Inside #1: In this issue the author shares some scary and cringe-worthy stories about hurting himself in "Head Injuries" and "Shedding Skin" (gross!) Check out some lines from the latter story: "My eyes catch something hanging off my face. As an instinctive reaction I grab it and pull. FUCK…there goes all the skin on my nose." The next day he wakes up with his face stuck to his pillow, peels it off, and goes surfing again! What a nutcase!!! ¶ The editor also relates some anecdotes describing his experience as a pallbearer for his late grandmother. Short but memorable zine. Reviewed by thrill racer. [?/4x5.75/20 pp] Shredding Paper #16. This is pretty much your standard format newsprint with glossy cover semi-professional music zine/magazine. The difference here is that there are only a few columns and articles and interviews but a review of pretty much every record to come out, um, I think ever. Record reviews of all sorts. This issue might be worth getting specifically because the Exploding Hearts grace the cover in connection with what I THINK is the last interview with them since a car accident caused their untimely deaths. Reviewed by Rich Mackin. 106pp, Offset, full size. POBox 2271, San Rafael, CA 94912. www.shreddingpaperradio.com/sp.html Stop Sign Zine Made by a friend of a friend named Josh, who's really into steciling. Includes photographs of a few dozen stop signs that have been altered to read: "STOP BUSH'S WARS", "STOP STARVING IRAQ", "STOP GREEDY DEVELOPERS", "STOP ISRAEL", and so on. Also has a first-hand story about stickering signs (Mumia related) all over Berkeley in one well orchestrated night, and of an ararchist group in New Orleans retaliating against a man who would cover all the city's graffiti with gray primer paint. "STOP FRED RADTKE! STOP THE GREY GHOST!" Much of the man's time is now spent, goes the pro-vandalism parable, scraping off stickers that bear his name. My favorite photo is the one with two stickers: "STOP STARVING DRIVING". Reviewed by Marc. [$1.50 / mini / 32 pp. / copied] Josh MacPhee, PO Box 476971, Chicago, IL 60647. josh@justseeds.org www.justseeds.org Thoughtworm #10 Wow! This guy and his wife sure do exercise a lot. I also noticed they don't drink any beer, or any alcohol at all for that matter. Huh. Kinda makes me feel like a lazy drunk. Despite this, I thoroughly enjoyed this zine. UGZ #13: A hardcore music zine that caters to the people in this "scene." If you're just a general music fan you probably won't find it too interesting. The issue includes a lot of record/CD reviews. I extracted some phrases from just some of the music descriptions so you can get a better understanding of the kind of music reviewed. "Hardcore," "quick paced hardcore," "thrashing hardcore," "thrash kid hardcore," "maxed out hardcore brutality," "violent blasting hardcore," "Japanese hardcore," "midtempo crusty hardcore," "crusty grind/hardcore," "classic Euro-Crust," "crusty grindcore," "grind," "grindcore," "Belgian grind," "metal/grind," "metallic thrash," "rocknroll," "punk rock," "quick paced and tuneful punk rock," and "melodic/pop punk." ¶ The issue also includes an interview with Anarchy Al, a dude who video tapes bands and does artwork for those releases. We also have a Born/Dead tour diary by Will, an interview with Consume, and lots of photo essays and other stuff. Reviewed by thrill racer [?/8.25x10.5/lots of pages] I don't see any contact information. Of course, it may be hidden among the chaos somewhere. Unlucky with Pets #2. Prosey comic with another lot of ghastly pet anecdotes. Wolves tear into a rabbit pen, an adopted stray cat is burned to char atop a truck's engine. Kelly's style is minimal and doodle like, in complement of her storylines. These are childhood memories illustrated, and I like in particular the conspicuous detail given to her changing hairstyles. (In one comic, it looks like a perm.) This is how women approach their art; Kelly's little brother is drawn often wearing a Batman T shirt, and I'm sure he often was. To balance all the horror in this issue, also included are bios of Kelly's friends' pets. "Bones was such a badass that even though he was declawed, he could still attack other cats — by pouncing on them and punching them!" Reviewed by Marc. [$? / digest / 20 pp. / copied] Kelly Froh, 101-1001 W. Broadway, Box 450, Vancouver, BC, V6H 4E4 Canada. kelly@221colab.org www.221colab.org/kelly_froh/ The War Is Now! (#59): 8 full-size page zine published by Hutton Gibson (father of movie *star* Mel Gibson).
Daddy Gibson is a Catholic sedevacantist (sedevacantists believe the office of the Pope is
vacant, because all Popes beginning with John XXIII are heretics for introducing and
continuing the reforms of the Second Vatican Council), and his *war* is to restore Catholicism
to its traidtional roots. His zine is full of sarcastic barbs directed at the contemporary
church (for example, John Paul II is referred to as the "Koran-kissing antipope"). Much of
the zine is dedicated to arguing trivial matters of Catholic doctrine, and therefore is of
little interest (aside from Gibson's snide remarks) to infidels or Protestants. However, when
the crusty 84 year old Hutton comments on secular matters, he regains our attention, and his
remarks seem right on the money: "All our military expeditions since World War I, incidentally,
have been wasteful of not only our own troops, but also of horrendous numbers of non-combatants.
If terrorists thirst for our blood, they are motivated by our government's forays into
international politics. If we have an unpayable national debt, it is because our government
betrayed its constitutional control of our money to international bankers, and subjected us to
the usury that our Church formerly condemned. If we have enemies against whom we must
maintain defense at enormous cost, it is because our government has funded and supplied their
growth into viable threat"). Gibson is not immune to crackpot-ism, though, as his solution to
the woes our Federal government has inflicted upon us shows: all 50 states should secede from
the union Weirdness Magnet (#1): Nothing too weird in this generally benign zine
published by first grade teacher What Goes On in a Bitch's Head Wonderful title, less than wonderful zine. Much of the content is relationship related public domain jokes from the ladies' perspective, the type that might fill your e mail inbox if you had an old maid of an aunt with a kooky office job. (Still, one of the reprints has my favorite part. From the "Mr. Right Rejection Letter", two items from the checklist would disqualify me: "You failed the credit check.", and "Your legs are skinnier than mine. If you can FIT in my pants, then you can't GET in my pants.") The portions that I believe Philia composed herself (all of four pages) are rife with not-your-garden-variety typos and mildy in one's face. Unremarkable comic with Snoop Dogg. There's nothing here, but I'd like to see number two. Reviewed by Marc. [$1.50 / half-legal / 12 pp. / copied, color cover] No address listed. E mail Philila Chhay AKA PillChhay@yahoo.com zinehead July 2003. Now we come to the Zine Zine Nation #1, July 2003. I mean, come on. It's another review zine/D.I.Y. guidebook. In a writeup of my zine (that he ordered), Justin sticks almost entirely to the subject of this website, and calls me the "Rush Limbaugh of the Zine World". I am puzzled, and the worst part is he got my address wrong. (Anyway, I like to think I'm the Tom Arnold of the zine world.) This is repulsive. There a probably about the same number of zines reviewed (and many of the same zines) as on this page, and on top of that an interview with Chester Brown in which the author pees her pants when his girlfriend Kris telephones. I suddenly got that living-in-a-comic-strip feeling. "Don't you find that strange that I know who she is?"An interview with the projet MOBILIVRE-BOOKMOBILE project ladies (worth checking out at www.mobilelivre.org), somebody flippin' the bird on the back cover. Why would I want to read one article with advice about being a roadie in a punk band, let alone two? Reviewed by Marc. [$2 / half-legal / 84 pp. / copied] Justin Chatwin, 17 Paton Rd #8, Toronto, ON, M6H IR7 Canada. zinenation@yahoo.com |